Ethan Fixell

AS PUBLISHED BY KERRANG!

In today’s oversaturated punk rock culture — one that includes subgenres and artists that have been commercialized, parodied and meme-ified – the legend of Jeromes Dream might sound like satire to an uninformed outsider: Performing with their backs to their audiences, with a singer who yelps without a microphone over frenzied guitar riffs and drum fills, the band released two albums in the span of two years, and promptly broke up with no sign of ever reforming. But any true hardcore punk fan knows that it’s the other way around: Jeromes Dream were the OGs, and all the watered-down “screamo” bands who followed just bastardized the band’s trademarked violent style….

AS PUBLISHED BY KERRANG!

For most rock fans, Woodstock ’99 is remembered within the frames of breaking MTV News updates, interrupting episodes of Daria with terrifying images of an apocalyptic hellscape in flames. But for a relative few, Woodstock’s third incarnation will forever live as a series of gnarly, grody, jarring experiences that they can feel as much as see in their memories.

I know – I was there. While Woodstock ’99 was a cautionary tale for a lot of rockers, it was three days of total madness for me. And looking back on it, what’s even more troubling than how gross it all got (the greed and lack of foresight of its promoters; the subsequent sexual misconduct, arson, and theft of its frustrated attendees), is that it was also the most fun I’d ever had in my life.

AS PUBLISHED BY KERRANG!

In Brooklyn’s industrial Bushwick neighborhood, Aphex Twin recently played New York for the first time in two decades, surely drawing one of the most diverse crowds a single artist showcase ever has. Yet, even beyond Richard D. James, electronic music has proven it’s no longer just for ravers and DJs. Hip-hop and heavy metal have both never been so mainstream; rock is much more than just guitar, bass, and drums. Thank the internet, the home recording evolution, or the endurance of the punk rock ethos: however you attribute it, music fans in 2019 — The Golden Age of Crossover — know no boundaries. Thus, it makes sense that here in Bushwick, at two-year-old venue Elsewhere, goth kids, metalheads, and indie rock fans would coalesce for a completely sold out show headlined by Los Angeles industrial noise rock outfit, HEALTH.